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Thanks to the fine folks at Netflix’s “Geeked Week,” we know that its upcoming adaptation of The Sandman from creator, EP & co-writer Neil Gaiman (Good Omens); EP, co-writer & showrunner Allan Heinberg (Wonder Woman); and EP & co-writer David S. Goyer (Foundation) will have a major presence during next month’s virtual convention. Earlier this week, they drove the point home further with a preview for the event that also included some new “Sandman” goodness (more on that in a minute). Now, we’re hearing from none other than Lucifer… or more precisely, Lucifer’s real-world counterpart Gwendoline Christie (HBO’s Game of Thrones). And from what Christie posted, we’re hoping they were writing in character because when I hear or read “Welcome to Hell,” I’m assuming some bad s**t is about to happen. But if you’re channeling The Ruler of Hell? Well, then that would be a compliment… right? I guess that’s a better interpretation than assuming Christie was referring to “Geeked Week” the under-realm (though that would be pretty damn funny).
Now here’s a look at Christie’s post from earlier today (which also included some additional images from the streaming series), followed by a look back at the “Geeked Week 2022” trailer that included some new looks:
Gaiman and Sturridge covered a number of topics in their interview last week, including how they approached translating Morpheus’s literary-like speech to the small screen, what it was like for Sturridge to film naked early in production & much more:
For Gaiman & The Creative Team, There Was No Doubt That Tom Sturridge Was their Morpheus: “Having watched all those other auditions, we were able to go to Netflix and say, ‘It’s Tom. We know it’s Tom.'”
Sturridge Understands Why the Casting Process Needed to Take So Long: “It was entirely necessary because this is a character who is so utterly beloved — by me more than anyone. That requires you to spend time with a human being to discover if they can live up to the dream you have of who he is,” he explained. “I think ‘The Sandman’ pervades culture. Even the name Morpheus, King of Dreams, kind of haunted me in my youth.”
Kicking Off Filming Naked Was a “Baptism-by-Fire” for Sturridge: “It was definitely a baptism-by-fire to be introduced to the people I was going to spend nine months with naked, climbing into a glass box — which, because of the way it’s built, couldn’t be broken apart easily. I would genuinely sit in it for hours at a time, which was very COVID safe,” the actor said with a laugh.
Focusing on Morpheus’ Physical Look First was “Quite Satisfying” for Sturridge: “I cared very much about the physicality and image of Morpheus. We’ve all seen those pictures, we know about his skeletal, muscular, otherworldly physique. Something that’s very exciting about the physical aspect of things is you can solve that problem. I can make my body look like that — it requires A, B, C, and D — in a way that I can’t easily get into the soul of an Endless. There was something quite satisfying about beginning with a task that was achievable, and I worked hard to create this physicality that I felt was unusual.”
Gaiman on the Importance of Translating Morpheus’ Style of Dialogue from Page to Screen: “Morpheus’ dialogue is incredibly specific. It was probably the thing I was most obsessive about. Someone would have written a fabulous script, [showrunner] Allan Heinberg would have rewritten a fabulous script, and I would have seen it at every iteration, but there would always be a point at the end where I would still be noodling on the Morpheus dialogue: Making sure the words were right, that the rhythms were right.”
Sturridge on What Gaiman Said to Him About Portraying Morpheus: “I remember [Gaiman] said to me that everything he says has to feel like it was etched in stone. He’s never improvising. He has experienced and perceived every thought, dream, and moment, and therefore he knows what you’re going to say. That was very helpful.”
Gaiman Put a Quick Stop to Sturridge’s “The Dark Knight” Approach: “I growled at him once and said, ‘Stop being Batman. He was trying to get a bit whispery” (though Sturridge wanted to make it clear that it was his “literally my first day” but he found the advice “incredibly helpful”).
A rich blend of modern myth and dark fantasy in which contemporary fiction, historical drama, and legend are seamlessly interwoven, The Sandman follows the people and places affected by Morpheus, the Dream King, as he mends the cosmic — and human — mistakes he’s made during his vast existence.
“For the last thirty-three years, the Sandman characters have breathed and walked around and talked in my head. I’m unbelievably happy that now, finally, they get to step out of my head and into reality. I can’t wait until the people out there get to see what we’ve been seeing as Dream and the rest of them take flesh, and the flesh belongs to some of the finest actors out there,” said Gaiman in a statement coinciding with the initial casting news. “This is astonishing, and I’m so grateful to the actors and to all of The Sandman collaborators — Netflix, Warner Bros., DC, to Allan Heinberg and David Goyer, and the legions of crafters and geniuses on the show — for making the wildest of all my dreams into reality.”
Stemming from Warner Bros. TV, Netflix’s The Sandman stars Tom Sturridge, Gwendoline Christie, Vivienne Acheampong, Boyd Holbrook, Charles Dance, Asim Chaudhry, Sanjeev Bhaskar, Kirby Howell-Baptiste, Mason Alexander Park, Donna Preston, Jenna Coleman, Niamh Walsh, Joely Richardson, David Thewlis, Kyo Ra, Stephen Fry, Razane Jammal, Sandra James Young, and Patton Oswalt.
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